Gerard Smyth
Home
About
News
Poems
—
A Ruin in the Midlands
—
Blue Crucifixion
—
Cambodia
—
Cool of the Day
—
Dog Years
—
Heirloom
—
In the Eblana Bookshop
—
Later
—
Marbles
—
My Father’s Hat
—
The New City
—
Paris Before Colour Photography
—
Peredelkino
—
She Walks On Diamonds
—
Ship in the Night
—
Visiting Chopin’s Heart
—
When All the Birds Were Called Away
Books
—
Books
—
The Sundays of Eternity
—
A Song of Elsewhere
—
If Ever You Go
—
The Fullness of Time
—
The Mirror Tent
—
A New Tenancy
—
Daytime Sleeper
—
Painting the Pink Roses Black
—
Loss and Gain
—
World Without End
Special Editions
—
The Yellow River
—
After Easter
—
We Like It Here Beside the River
Essays & Reviews
—
Brendan Kennelly
—
Czeslaw Milosz
—
Hughie O'Donoghue
—
James Liddy
—
Leonard Cohen
—
Paula Meehan
—
Remembering Seamus Heaney
Lawrence O’Shaughnessy Award
Gallery
Videos
Links
Contact
Home
About
News
Poems
A Ruin in the Midlands
Blue Crucifixion
Cambodia
Cool of the Day
Dog Years
Heirloom
In the Eblana Bookshop
Later
Marbles
My Father’s Hat
The New City
Paris Before Colour Photography
Peredelkino
She Walks On Diamonds
Ship in the Night
Visiting Chopin’s Heart
When All the Birds Were Called Away
Books
Books
The Sundays of Eternity
A Song of Elsewhere
If Ever You Go
The Fullness of Time
The Mirror Tent
A New Tenancy
Daytime Sleeper
Painting the Pink Roses Black
Loss and Gain
World Without End
Special Editions
The Yellow River
After Easter
We Like It Here Beside the River
Essays & Reviews
Brendan Kennelly
Czeslaw Milosz
Hughie O'Donoghue
James Liddy
Leonard Cohen
Paula Meehan
Remembering Seamus Heaney
Lawrence O’Shaughnessy Award
Gallery
Videos
Links
Contact
Share
World Without End (1977)
Using Format